Tron: Ares – A spectacle that will quickly be forgotten!

Tron: Ares – A spectacle that will quickly be forgotten!

The latest installment in the legendary “Tron” series, “Tron: Ares,” premiered on November 9, 2025. With a budget of a whopping $180 million, the film attempts to recreate the legendary atmosphere of its predecessors, the 1982 cult classic and the 2011 sequel Tron: Legacy. First glimpses show impressive computer effects that are intended to take viewers into a digital world. But not everything shines in this futuristic scenery TV MEDIA reported.

However, chief director Joachim Rønning and screenwriter Jesse Wigutow could not meet all expectations. Critics complain that the action sequences lead to fatigue and new ideas fall by the wayside. The plot, although promising, is not fully utilized in the context of artificial intelligence. The characters appear pale and the fate of the main characters receives little attention. Although Jeff Bridges provides a nostalgic touch, Gillian Anderson's role as Julian Dillingers' mother is seen as unnecessary.

The soundtrack and the images

Musically, the film relies on the industrial rock band Nine Inch Nails, whose sounds are intended to create the necessary atmosphere. However, the overall impression remains of an audiovisual spectacle that is quickly forgotten. One might expect that such a high budget commitment would be synonymous with a profound experience.

The spectacle comes at a time when the film industry worldwide is feeling the challenges of artificial intelligence. A year ago, filmmakers in the US protested against the threat of AI, which not only endangers creative freedom but also numerous jobs. A study by the animation union predicts that almost 204,000 jobs in the film industry could be lost in the next three years. Storyboard and concept artists in particular are severely affected by these developments daily news reported.

Artificial intelligence and its dark sides

An example is the indie film “Civil War”, in which Kirsten Dunst shines as a war photographer, while some of the film posters were created using AI software. Critics complain about strange details in these images, which look good at first glance, but often have errors upon closer inspection. AI video generators can also produce realistic videos, but struggle with strange lighting conditions.

The industry has responded to this worrying development. New rules on the use of artificial intelligence have been included in collective agreements, including allowing actors to have their faces and bodies scanned. This shows that concern for artists' creative work is now being taken seriously.

In the midst of all this, “Tron: Ares” remains another example of how the film industry is trying to reinvent itself despite all the challenges. It remains to be seen whether the film will be remembered in the long term or quickly forgotten. One thing is certain: the debates about AI and its influence on cinema are far from over. After all, we are moving in a time in which the possibilities of technology seem almost limitless.

The digital age in which cinema finds itself promises exciting developments, but also challenges traditional values. The dialogue between technology and creativity will continue to provide exciting discussions.