Theater in Josefstadt in transition: Marie Rötzer separates from 18 stars!

Theater in Josefstadt in transition: Marie Rötzer separates from 18 stars!

Josefstadt, Österreich - The Viennese theater landscape is facing a noticeable change. Herbert Föttinger, the artistic director of the theater in Josefstadt, will be handed over to Marie Rötzer in autumn 2026. This change brings with it profound personnel consequences. Rötzer plans to reduce about a third of the existing ensemble, which corresponds to a separation of 18 out of a total of 48 members. 16 actors are particularly affected whose contracts are not extended. Two others are currently negotiating on new engagements, as [today] (https://www.heute.at/s/neue-josefstadt-chefin-treiT-sich-von-18- actor-120115927).

This decision raises questions. Rötzer distributed her considerations in discussions with the works council and emphasized the consideration of social aspects when realigning the ensemble. For many, however, it is common for a bit of fresh wind to blow in a theater and that about a third of the workforce is not adopted.

conversion of the theater

The realignment also includes that supports of the previous structure must give way. Not only the 16 actors are affected, but also the dramaturgy team and the long-time head of communication Christiane Huemer-Strobele, who also have to vacate their posts. The change is to be understood as a "paradigm shift", as Föttinger himself puts it. He expressed incomprehension that the Doyenne of the house will not be continued and found that the Josefstadt will no longer exist in its previous form.

A look at the future line -up shows that Rötzer plans to win 12 new actors for the stage, while 4 to 6 positions should no longer be filled. It is particularly interesting that four actors in retirement age, including Marianne Nentwich and Michael König, receive guest contracts in order to continue to remain part of the artistic work.

challenges for theater management

In the preventive of these changes, a general trend is reflected in the theater operation. Nowadays, theater management is a multi -layered task that not only has to manage the artistic aspects, but also increasingly has to overcome business challenges. This management includes the management, organization and control of theater companies and is obliged to find the balance between artistic demands and financial realities. Wikipedia calls some essential instruments, such as planning new ideas and communication with various stakeholders.

In recent years, many theater with falling number of spectators, especially among younger generations, is fighting. That is why networking with politics and the implementation of democratic processes within the house is of increasing importance. Rötzer's approach in the conversion of the ensemble could be seen as a symbolic sign of the need for an adaptation process, which is based on both the needs of the audience and the economic situation.

While the future of the theater in the Josefstadt inevitably unfolds, it remains to be seen how the new structures will affect artistic identity and the response to the public. One thing is clear: a good hand in redesign is required to preserve the Josefstadt for the next generations.